Pam protests against the white ball-gag strapped in her mouth, asking what’s happening, and as she falls into unconsciousness, she hears one last line. ‘You keep parking in her spot, and she really wants to have a word with you… in her playroom.’īefore Pam can ask what the mystery-woman means, a needle is shoved into her neck and plunged. Her shoes are off and next to her, leaving her soles exposed. When she wakes, she’s in the trunk of her own car, her wrists bound with a zip-tie and her shirt pulled up, exposing her tits.
‘Hey, is that you, Pam?’īefore she can take in what the mystery woman says, ‘No, but it seems we have a mutual friend…’ a taser is shoved into her asscheek, rendering her unconscious. In my opinion, there is huge potential to adapt AI into the modern-age digital artist's workflow.Ĭurrently you can, for example, make a depth map and use that as a reference: View attachment 2250177It begins in a parking garage, Pam’s car is parked in a spot labelled ‘WHITE’, and as she reaches into the trunk she’s called out to. Nevertheless, whatever how powerful AI will be, us humans will be the leading role during the creative process as usual, and software will provide suggestions / generate drafts as a helper. I think artificial intelligence is a great assist tool for extending creativity, for instance you could use it to help color all your work very fast. (this method can be used to fine tune or even fully pose characters) Regarding hands and limbs in general it's way better than earlier versions where we had to deal with the stuff you mentioned.Ĭurrently you can, for example, make a depth map and use that as a reference: Given enough good references it can copy the style pretty well. You need to set a few parameters and then tell the machine what it's looking at for each picture (eg. Without going into much detail I trained my model on 5 pictures for about 10mins.
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